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  Iyabo Obasanjo, daughter of former President Olusegun Obasanjo, has suspended her ambition to contest the 2027 Ogun State governorship election. In a statement released on Monday, she confirmed her decision to step down from the race. She explained that her withdrawal was influenced by the endorsement of Senator Solomon Adeola as the consensus candidate of the All Progressives Congress (APC) for the forthcoming election.

Beyond the Pitch: The Media Gap Costing African Football Stars Global Recognition

 


By Abioye Tosin Lawrence 


EU–IRI Visits to Osun Publishers Reveal Why Media Structure Matters in Modern Influence




Football talent has always been celebrated across the world, but in the modern game, visibility off the pitch now matters as much as performance on it. Great players can shine in stadiums every week, yet without strategic media representation, their achievements risk being overlooked on the global stage, including prestigious awards like the Ballon d’Or.



One striking example is Nigeria’s Asisat Oshoala, one of the most decorated African footballers of her generation. Oshoala has won the African Women’s Player of the Year award a record six times, excelling at club and international level and becoming one of the most influential African players ever.



She also became the first African woman nominated for the Ballon d’Or Féminin, a historic milestone that put her name among the world’s best.



Yet despite such outstanding achievements, global award recognition remains elusive compared with top European stars. Even recently, Nigerian captain and standout performer Rasheedat Ajibade, who led the Super Falcons to the WAFCON 2024 title and earned Player of the Tournament honors, did not secure continent’s top individual awards at the CAF gala.



Meanwhile, Nigerian star Ademola Lookman’s recent debut goal for Atlético Madrid demonstrates how immediate global visibility combined with performance can boost recognition. Scoring on debut in a top European league not only earns media headlines but also strengthens a player’s brand and narrative in the eyes of fans, journalists, and award voters worldwide.




A more global example is Cristiano Ronaldo, whose name dominates media headlines wherever he goes, from Germany to the UAE, to any other country hosting him. Ronaldo’s recognition is not accidental; it is the product of strategic narrative management, consistent media engagement, and the ability to ensure the world discusses his achievements beyond the pitch. His story shows that talent alone is not enough, the combination of performance, visibility, and narrative control is what guarantees global recognition.



This demonstrates a broader pattern: narrative shapes reputation. European football markets benefit from extensive media ecosystems that consistently highlight their players, while African stars often perform brilliantly yet lack the sustained global storytelling and media strategy that elevates their profile year-round. Analysts note that global awards like the Ballon d’Or still reflect structural biases toward players in the most visible clubs and leagues.



Here’s where media strategy becomes essential.

International visits by the EU


and IRI to OOPA under Jare Tiamiyu’s leadership highlight how strategic media engagement can strengthen journalism and amplify African voices globally.





A professional, empowered press can:


* Amplify achievements consistently


* Build compelling athlete narratives


* Lift domestic stars to global audiences


* Counter misinformation and bias


In the realm of global football, where awards and recognition often go hand in hand with media presence, the best performance must be backed by strategic communication. Having a powerful story told well, locally and internationally, increases the chances that voters, fans, and global audiences take notice.



As African football continues to produce world-class talent, investing in media partnerships, journalist training, and narrative strategy isn’t just beneficial, it’s essential. Because in the 21st century, being world‑class on the pitch is only half the story; being world‑class in how that story is told completes it.

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